Geopolitical thrillers at the intersection of Swiss discretion and European power politics — intelligence agencies, banking secrecy, and the lies that hold states together.

European love stories about love between equals, warm, intelligent, and brave enough to let people be fully seen even in lived adult life.

Quiet regional crime from the Arc jurassien — and gourmet cosy crime from the Suisse romande. Fair-play puzzles in which social proximity, origin, and a well-timed silence reveal more than any forensics.

Urban fantasy in real European cities — magic that has been waiting beneath the asphalt for centuries, patient and hungry.

Domestic suspense and psychological thrillers for adults — novels in which the threat never comes from outside, but from the person you handed your own house key: a husband, a neighbor, a pediatrician, a best friend.

Grief, memory, and the language of gestures — what people show when they fall silent.

European mythology romantasy — love stories that grow out of real gods, curses, and ancient blood, not invented worlds.

Forensic Family Sagas — Dual-timeline novels in which modern experts decipher historical family secrets through the analysis of materials and ancient craftsmanship.

Hard science fiction as thought experiment — European physics, open equations, no comfortable solutions.

Epic fantasy rooted in Celtic-Germanic mythology — hard magic systems, political fault lines, and secondary worlds that are larger than their heroes.

Contemporary fiction in German-speaking cities — friendships, relationships, and the question of who picks up the bill.

Historical literary fiction rooted in the Early Modern period — educated narrators who try to keep their sanity between plague and philosophy and discover that humanity is not a virtue but a risk.

Historical adventure novels from Antiquity to Napoleon — sea battles and Alpine crossings, mercenary marches and expeditions. Men under extreme pressure in hostile terrain, making decisions with no way back.

The firsts that change everything — first love, first betrayal, first decision you can't take back. In stories set in Europe, because European teenagers deserve stories of their own.

Nordic Noir with social diagnosis — crime as a symptom of institutional failure in Scandinavia and the Baltics, wherever the welfare state overlooks its own children.

Dark romance between desire and control — love stories that hurt before they heal.

Comedies that are funny first and then, a page later, true without warning — German-language everyday satire built like clockwork out of setup, escalation and payoff, in which you laugh at other people and, turning the page, realise the joke was about you.

European democracies doing exactly what they were elected to do — and why that's the problem.

Gothic horror in European landscapes — Alpine fog, Carpathian forests, Baltic moors, Black Forest villages. Stories about people who realise the world doesn't work the way they thought.